ON THE COVER: MASS INTELLIGENCE
From INTELLIGENT LIFE magazine, Winter 2008
The latest cover story in Intelligent Life magazine, on sale now in Britain and across Europe, the Middle East and Africa, is about mass intelligence. We hear a lot about dumbing down, but there is plenty of evidence that the opposite is happening too. Dumbing down is such an insistent phrase that we tend to see intellectual standards as a river, heading in the same direction, always downhill. In fact they are more like a road, with heavy traffic in both directions.
For the cover itself, Intelligent Life brings together two formidable cultural figures: Leo Tolstoy and Paris Hilton.
Among the other highlights in the winter issue:
THE WORLD’S TALLEST BUILDING
The Burj Dubai is the world’s tallest man-made structure, and it is still going up. J.M. Ledgard goes to gawp--and to ask the people behind it, what’s the point?
THE ABBESS’S YEAR OFF
Dame Joanna Jamieson spent half a century in an enclosed order of nuns, followed by one year at art school in Hoxton, east London. She tells Maggie Fergusson what she made of the modern world and how she got on in the life-drawing class
DOUGLAS COUPLAND ON THE APPLE MAC
It’s 25 years since Apple Macintosh gave us the first computer with a desktop with icons on it. Douglas Coupland, then a design student, now a bestselling author, remembers the impact the Mac had and how it “turned work into play”
AUTHORS ON MUSEUMS
Our series continues with Helen Simpson, a short-story writer, writing about the Villa Flora in Winterthur, near Zurich--a private home, still occupied, which has become a museum for the work of Felix Vallotton. She reveals how she had a poster of a Vallotton etching on her wall as a student, how it felt to see the original for the first time, and tells the story behind Vallotton’s connection with the house
A MONTH IN THE LIFE OF THE NATIONAL THEATRE
The National Theatre on the South Bank used to be a fortress, dogged by disputes. Now it’s a flagship store on London’s high street of the arts, argues Robert Butler, who spent a month behind the scenes, talking to everyone from the young actor playing the messenger in Oedipus to the artistic director, Nicholas Hytner. We publish Butler’s portrait of a fast-changing institution over ten pages, with photographs by Brian Harris
PHOTO ESSAY: ARCTIC BLUES
The photographer Simon Roberts captures the radiant bleakness of northern Russia, and tells Alexandra Lennox how he went about the task
Most of the contents will be posted here, bit by bit, over the three months that the magazine is on sale. As ever, do let us know what you think. ~ TIM DE LISLE
Picture credit: Mike Prior (top); Sam Barker (portrait)


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